Number Crunchers
Number Crunchers installation at Redwood City Art Kiosk, curated by Lance Fung.
Wooden yardsticks, hardware
12’6”x 13’6” x 14’6”
2020
Four-bar linkages
Night view of Number Crunchers installation at the Redwood City Art Kiosk, curated by Lance Fung.
2020
Number Crunchers, detail
Installation at Redwood City Art Kiosk, curated by Lance Fung.
13’6” x 12’6” x 14’6”.
Wooden yardsticks and hardware.
2020
Number Crunchers, courthouse view
Number Crunchers installation at Redwood City Art Kiosk, curated by Lance Fung.
13’6” x12’6” x14’6”
Wooden yardsticks, hardware
2020
Entire Number Crunchers show in collapsed form
This exhibition was made in my apartment during the shelter-in-place months of 2020. It was designed to be transported and assembled by me with no assistance. The entire exhibition fit in the back of my car.
Feral Fence, installation view 2018
13 feet x 42 running feet
Galvanized steel, chain link, hardware. Photo credit: Tran Tran Photography.
Feral Fence
Original iteration, 2007. Reconfigured and rebuilt for Beyond Borders exhibition at Santa Clara University, in December, 2017.
Photo credit: Tran Tran Photography.
Feral Fence
2007/ 2018. Photo credit: Tran Tran Photography.
Feral Fence, detail, 2018
Galvanized and zinc-plated steel, chain link, hardware.
13' x 18.5' x 12.5', approximately. Photo credit: Tran Tran Photography.
Installation View at Untitled Miami, December 2017
Left to right: Valley, Moonshot, Googolplex, New Campus, ISTJ (pedestal).
Moonshot
2017
25” x 19” x 8”
Acrylic and aluminum hardware
Googolplex, 2017
2017
17 x 14.5 x 9"
Acrylic and aluminum
Photo: Keay Edwards
Googolplex
2017
Acrylic and aluminum
17 x 14.5 x 9"
Photo: Keay Edwards
Valley
2017
Aluminum and acrylic parts for hanging
23 x 19 x 3.5
Photo: Keay Edwards
ISTJ-A
2016
Acrylic
13.5" x 11" x 17"
Photo credit: Keay Edwards
Holding Pattern
January, 2017
22.2ft x 7.23 ft x 3 ft
Galvanized steel, found chromed turnstile
Holding Pattern, detail
January, 2017
22.2ft x 7.23 ft x 3 ft
Galvanized steel, found chromed turnstile
Exodus
Resin and steel hardware
Dimensions variable
2015
Photo credit: Rob O’Neill, 2018
Exodus
Resin and steel hardware
Dimensions variable
2015
Photo credit: Rob O’Neill, 2018
Exodus, detail.
Resin and steel hardware.
2015
Photo credit: Rob O’Neill, 2018
Horror Vacui
Drawing paper, chipboard, wire binding, misc.
30" x 20" x 8.5"
2014
Horror Vacui, detail
Drawing paper, chipboard, wire binding, misc.
30" x 20" x 8.5"
2014
Form and Content (Internal Logic)
Object made of generative notes toward its own manufacture
College-ruled notebook paper, chipboard, aluminum binding coil, ink
15" x 21" x 10"
2014
Form and Content (Internal Logic), detail
Object made of generative notes toward its own manufacture
College-ruled notebook paper, chipboard, aluminum binding coil, ink
15" x 21" x 10"
2014
Folly (Colosseum of Rome)
Installation view on Monterey Rd and Tully Ave, San Jose
Galvanized steel pipe and fence hardware
88" x 141" x 116"
2014
Folly (Colosseum of Rome)
Installation view on Monterey Rd and Tully Ave, San Jose
Galvanized steel pipe and fence hardware
88" x 141" x 116"
2014
Folly (Colosseum of Rome)
Installation view at Mulherin + Pollard Projects, NYC
Galvanized steel pipe and fence hardware
88" x 141" x 116"
2014
Flourish and Folly
Installation view at ADA Gallery, Virginia
October, 2014
Flourish (10th and Hedding)
Archival dye-infused print on aluminum.
16" x 24"
2014
Historic Preservationist Series (Heavy Equipment Tires)
Snaidhm Cheilteach (Celtic Knot)
After Irish cable knit patterns
Archival dye-infused print on aluminum, 30" x 28"
2014
With Brendan Coyle
Historic Preservationist Series (Heavy Equipment Tires)
Gireh Chini (knotted/ interlaced pattern)
After stone tiles in the Sircali Medrese, Konya, Turkey, 1240 AD
Archival dye-infused print on aluminum, 30" x 28"
2014
With Brendan Coyle
Historic Preservationist Series (Heavy Equipment Tires)
Ice-Ray (cracked-ice pattern)
After Chinese window lattice patterns, Szechwan, 1850 AD
Archival dye-infused print on aluminum, 30" x 28"
2014
With Brendan Coyle
Historic Preservationist Series (Heavy Equipment Tires)
Parcham (Banner/flag pattern)
After tiles in the Alcazar de Seville, Spain, 1364 AD
Archival dye-infused print on aluminum, 30" x 28"
2014
With Brendan Coyle
Mechanical Reproduction
Installation view at Mulherin + Pollard Projects, NYC
Stamp (cast urethane rubber, neoprene, basswood, paint) and walls hand-stamped with latex paint.
Dimensions variable.
2012
Mechanical Reproduction
Detail: Stamp
Cast black urethane rubber, neoprene, basswood, paint
14" x 14" x 14"
2012
Mechanical Reproduction
Installation view at Mulherin + Pollard Projects, NYC
Stamp (cast urethane rubber, neoprene, basswood, paint) and walls hand-stamped with latex paint.
Dimensions variable
2012
Chronicle (proposal for Humvee tire)
Cast black urethane rubber, hanging hardware
72" x 12" x 1"
2008/2009
Chronicle (proposal for Humvee tire)
Cast black urethane rubber, hanging hardware
72" x 12" x 1"
2008/2009
Chronicle (proposal for Humvee tire)
2008, redone with Brendan Coyle in 2014
Archival dye-infused print on aluminum
30" x 28"
2014
Feral Fence
Installation view at the Carving Studio and Sculpture Center, West Rutland, Vermont
Galvanized and zinc-plated steel, chain link fencing, barbed wire
12.5 ft high x 80 ft long
2007
Photograph: David O'Rourke
Feral Fence
Installation view at the Carving Studio and Sculpture Center, West Rutland, Vermont
Galvanized and zinc-plated steel, chain link fencing, barbed wire
12.5 ft high x 80 ft long
2007
Photograph: David O'Rourke
Feral Fence
Installation view at the Carving Studio and Sculpture Center, West Rutland, Vermont
Galvanized and zinc-plated steel, chain link fencing, barbed wire
12.5 ft high x 80 ft long
2007
Photograph: Jonathan Brilliant